天堂孤影1986

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主演:马蒂·佩龙帕,卡蒂·奥廷宁,萨卡里·库斯曼嫩

类型:电影地区:其它语言:其它年份:1986

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 剧照

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 剧情介绍

天堂孤影1986电影免费高清在线观看全集。
  环卫公司垃圾车驾驶员尼卡德(Matti Pellonpää 饰)的老同事计划筹资组建自己的环卫公司,邀请尼卡德技术入股,但老同事不久急病突发身亡,尼卡德的生活重回一潭死水状态。尼卡德心有不甘借酒滋事,在被拘留的时候结识日后的同事米卡拉。米卡拉偶而会不识趣的妨碍尼卡德暗地追求超市售货员伊罗娜(Kati Outinen 饰),但他仍是尼卡德最可依赖的朋友。伊罗娜为报复超市经理偷走了钱盒,尼卡德帮助她找到服装店的新工作,服装店经理夹到尼卡德与伊罗娜的关系中间,但尼卡德最终夺回了自己的爱人。  本片获1987年芬兰电影尤西奖最佳影片奖。是导演郭立斯马基(Aki Kaurismäki)无产阶级三部曲的第一部。我的野蛮格格重生之千金毒妃黄皮子坟神医毒妃飒天下雨女第一季二分之一美少年欢乐饭米粒儿第八季天龙八部2013消防厅旁警察厅暗黑第三季燎原灵犬雪莉大小不良人再囧途之泰囧猫鼠游戏2009萨拉兰登和神秘时辰龙息少年爸爸的小提琴名侦探布鲁诺寻找黎明天上人间视线1318不了情1961奉天承孕:傅少请接芷(奉天承孕傅少请接芷)哇哦玉响完结篇第四部:朝虎啸苍穹名门暗战粤语秘果2017亲密的陌生人2004汉娜的旅程(普通话版)飞跃霓裳粤语十二金钱镖创客兄弟德克斯特的实验室第一季全职法师第六季女神异闻录3 剧场版 第一章 春生开局一座城:打架全靠碾 动态漫颜色大步向前走第一季我的父亲母亲诡咒荒野恶林

 长篇影评

 1 ) 随想

第五部考里斯马基,看出了卓别林的味道来。

《天堂孤影》就是加长版《狗没有地狱》。出狱的男人,等待的女人,被歧视的阶层,心灵空虚的人们百无聊赖地活着,爱情的激流恰逢其时地出现,至于结局导演决定,总是让男女主人公抛下一切、义无反顾地离开,那是多么复杂的心情啊,里面有放弃现有一切的自弃快感、从头再来的非凡勇气、远赴异乡时的张皇以及坚定、忐忑不安的幸福,我想,男人再也不必以旁击側敲的方式去问女人“跟我在一起觉得无聊吗”,因为冒险也因为爱情他们必然感到一种前所未有的新鲜、浪漫、满足。最后一个镜头总是告别,《天堂孤影》里载着两人前往塔林的轮船驶离码头,前来送行的朋友发动他的垃圾车离开港口,垃圾车发动时飘出几缕烟,随风而去。告别唯一的朋友。《狗没有地狱》里火车在黑夜里飞驰,男人就着窗外的微光张望着什么,女人问:“你在看什么?”“看它还在不在。”男人回答。女人问:“谁?”男人答:“祖国。”然后火车彻底进入黑夜,再也看不见了。这是告别祖国。

几部电影看下来发现考对俄国执念很深,男女主人公前去的远方总是俄罗斯。考对俄罗斯文学也有自己独到的见解和偏好。

考善于制造些出其不意的小冲突,然后又往意料之外的方向发展,从故事的角度来看是不流畅的,像由一段段颇有仪式感的僵硬小品组成,时时平地出险峰,暂时地阻断观众的视野,而后再给个通往“柳暗花明”的幽径。

考的电影中,人物的言行是否符合常理、故事走向是否处在舆情可控的规范之内,这些都是次要的、可以忽略的,重要的是考的用意,当然还要看到他的审美。

在考的女主角们的骨子里似乎都活着另一个女人,那个随时可以打开门出走的“娜拉”,可以勇敢爱恨,可以冲破,可以反抗。

之所以尝出卓别林的味道是因为考也在幽默,一个伤心的人在讲冷笑话,他想逗别人笑。一会儿又改变主意,或是觉得自己有失自尊,还是庄重些的好,也许是想起来逗人笑并非他的终极目的。于是逐渐板起面孔来,装作冷酷的样子。苦喜剧,我们姑且这样讲,严肃活泼,笑中带泪啊。

 2 ) 光

这是一部怎样的电影?

我想,这是一部讲“光”的电影。

男主的老同事受不了平庸无为的底层生活,意欲创业,并拉上了男主,男主的黯淡的生活出现了一抹光。只可惜世事无常,伴随同事逝去,光消失了。

男主对眼前的黑暗感到无助,迷惘,痛苦。直到他遇见了他的好友和女主,生活的光又出现了。

伴随着一系列的事情,这光时而黯淡,却总是能够被不懈的点亮。最亮的光还是爱情,还有同样耀眼的光,是友情。

男女主偶然相遇,似乎是一见钟情。两人同处于社会底层,为他人所摆弄。但这些并不影响他们追求爱情。而且,在爱情之光每每快要消散之时,二人都能够脱离种种束缚,追求自己所爱,维护这亮光,并使之更为耀眼夺目。

同样,男主与他的朋友,艰难时刻相遇,始终互相帮扶。特别是他朋友借钱给他那一段,让人感受到了二人深深的情谊。友情的光啊!

最后,男女主登上了去塔林的船,想追求无产阶级的光。

电影让我看到了在看似充满着光的北欧国家,底层人民的或平庸或悲惨的命运。(或许现在有所改变?)看见了对阶级分立的不满,一些场景与情节,充满了讽刺的味道。

然而,二人前往苏联,情况真的会有改善?对于二人接下来的命运,我无法想象,但我感受到,更冰冷的未来无光可能正在等待着他们。

但是这些对他们来说,似乎也没有那么重要了。毕竟他们已经有了人世间最耀眼的光。爱情,足以驱散一切的黑暗。

片尾曲很棒。

 3 ) FIFF27丨DAY2《天堂孤影》:工人离开工厂,去往他方

第27届法罗岛电影节第2个放映日为大家带来主竞赛单元的《天堂孤影》,下面请看场刊影评人的评价了!

米米

也许不管是资本主义还是社会主义,人最重要的拥有就是亲情,友情,爱情吧。

孟山

爱情是城市边缘人的慰藉取暖,资本是寸步不离在周身的压制,桃源是大船驶向未知的远方,哪有什么理想国

dama.W

都说布列松式,感觉只有肢体特写和表演是布列松式的,最大的不同是摄影机的运动,创造了不扁平的空间,布列松比较忽视空间。第一次看阿基还没太搞明白他,故事就是这么一回事。看多几部再评。

Andrea

她只在落难时找他,他却始终如获至宝。

一桶猫

冷色调的背景只有她身穿红色大衣 一如极简的台词却能如此饱含爱意;底层小人物逃不过现实的残酷 坐在垃圾车里也有别样的浪漫

Sanders03

第一部阿基,冷峻简约,音乐太好了

消亡之人

阿基的气质真是太独特了。 片中的人们总是板着脸,面容肃穆,好像要去执行些什么秘密任务,让剑拔弩张的空气弥漫在身周。怒气时刻在酝酿,但他们从不与所爱之人争吵,只是把所有的力气用来在生活的低谷里挣扎、出拳。 他的冷峻并不让我感到“幽默”,事实上我产生一种幸福感和安全感,因为我知道,只要他们还能绷住那张扑克脸,就有无限的,特工一般的能量潜藏在他们的身体里。 这大概是他赋予这些小人物以尊严的方式。

快乐王子

怀揣着政治梦想,但我坚信世界上没有理想国

三色堇紫

阿基·考里斯马基“无产阶级三部曲”序曲。极简的对白,大量的沉默片段,简短却层次丰富的故事,繁琐生活和爱情趣事的交织,底层人民的真实生活写照,平凡且艰苦,温馨而浪漫。动听的乐曲在响彻,浪漫的氛围在弥漫,沙滩上的深情一吻,随着逐渐燃烬的烟丝化作温暖的美好瞬间,难以捕捉。生活里的变故,不被信任、不被理解、不被关心,试图靠报复来弥补生命里的缺失部分,却落得一无是处的下场,两个人的相互慰藉,是杂乱现实里唯一的寄托。故事的结尾,他们携手逃离了这片是非之地,渴望得到爱神的祝福,却始终逃不过命中注定的不安与困苦。

伊菲吉妮娅

底层小人物的朴实生活,现实终是冲不破的囚笼,无可奈何的挣扎,残酷中却又满含温情,阿基的配乐太高端了!

FranzCamus

孤独的人并不可耻 肆恣的呈现才是阿基想要的表达。摇滚乐 酒精 边缘人群的爱情 殊途同归。

#FIFF27#第2日的场刊将于稍后释出,请大家拭目以待了。

 4 ) 无力感是生活的基调

又是三部曲?就蓝领来说比中国的生活要多彩的多,酒吧,歌厅,娱乐,而中国怎么说呢,特别是在工厂打工的人,他们没有一点娱乐,也就是有个网吧可能,真的是可怜,但是南方的一些电子厂周围的环境也是可以的,有人就有商业机会,还有的工厂是开在一些村庄附近,当然就没有那么的娱乐什么的了,但是可以经常回家,而且最变态的是,因为机器成本什么的,机器是不会停止的,所以人是完全没有生活规律的,有些人是白天上班的话晚上正好可以睡觉,但是如果上晚班的话,大部分家里会有事什么的,基本上就不睡觉,但是就工作来说,这样的工作也是可遇而不可求的,所以别给我提什么生活美好,扯几把蛋,没有标准,也有人在流浪,连个家都没有,什么都有,这几年我越来越发现,我们的不确定性和可变性,你有可能成为你看到的任何人,流浪汉,打工仔,白领,各种形形色色,又完全不相关,但如果有一个机会,全是一个样的,那就是任何人可以成为任何人,这种不确定性一直在我的心中飘动,这种感觉不是说我们可以成为任何一个人,这对我来说是一个天国,我是说每个人都被捆绑在自己的躯壳里,就像毛姆的月亮和六便士里的男主角一样,所谓自由应该是精神和灵魂的自由,我们被自己的身世,性格,外界,思想捆绑,甚至成为虚无主义着,最后我们在生活中寻找答案,因为生活看得到摸得着,结结实实,非常踏实,但是我们的禁锢也是异常的现实和结实,但是我们还是有很多的空隙来钻,所谓空隙就是你的大脑没有被控制,你的行动还算自由,而你还有时间做自己喜欢的事,为什么会得出这样的结论呢?因为我现在的生活就是这样的,你必须了解现实和自己,因为你不是幸运儿,你不是,你知道世界的运作方式,然后你被生活不由自主的挤到一个狭小的空间,然后你开始想象目前的困境,你的梦想,你的现状,你的一切,像是灵魂出窍,然后观看自己的一生,你发现你最大的遗憾就是困惑和迷茫,我想这是现在大部分人的状态,生活尚不追着你跑,你对这个世界懵懵懂懂,而每天所接受的是一些垃圾,垃圾电视,垃圾新闻,垃圾游戏,你生活在虚幻中,然后某一天,你的父母告诉你,你长大了,该自己面对现实了,然后把你赤裸裸扔到地球上。然后看着形形色色的人在你眼前穿过,仿佛你是透明的,你想象着一万种人生,每一种都比现在这种生后充实,有趣,而偏偏你选择了这个,你问自己是自己选择的吗?有一句话怎么说的?当你了解到自己想要什么,你可以忍受一切生活,确实是这样,这是主动的不管怎么来说,

有些人的生活单纯简单,工作,生活,过一百年也觉得没有什么,没有好坏,只有生活,千百万种生活构成了我们的世界,像这部电影中的主人公,其实这只是一种生活而已,没有任何的价值判断,这就是好电影了,把一件事加上自己的风格给你看,但是同样的导演不太爱冒险,或者当时也许是受气氛的影响,像谁说的,小成本电影拍点阶级地位较低的人的生活,不管怎么样,赔不了,真是一个奇怪的世界,也许这个世界还是向好的方面在运转,当然郭敬明也算是一个另类,他拍些夸张的富裕的生活,不是说他拍的不好而是他不敢深入,他的定位是学生,怎么说呢?当你是小孩,像是金纸糊成的世界,小孩子看了,满眼金光但是然后呢,还有什么,没了。

我喜欢这个结尾,配上歌词,生活总让我们绝望,怎么办呢?离开,不管怎么说,带着一种悲伤的气氛,离开也许没啥,但是在那一瞬间,我是自由的,我面向一个未来,我把这个操蛋的生活抛在屁股后面,也许电影是真的带着一些政治隐喻,但现在看来,连隐喻也没有了。

 5 ) My Questions on Shadows in Paradise

Actually this is one of my assignments from my foreign teacher who recommended us to watch and ponder on the film. I use plain language to share some of my thoughts here with you and hope you guys will enjoy it!

Feel free to comment!

Questions:
        How to understand the characters in the movie Shadows in Paradise?
        What does the ship which is going off at the end of the movie symbolize?

Possible Answers:
        After watching the film first time, I felt it a comedy with happy ending. However, when I watch the film a second time, I feel depressed, and I have a totally different feeling from the first time. I regard it as an ideal dream of the working class rather than a simple comedy of the workers. This film reminds me of The Flies, which we’ve read last semester. Both of the film and the article are talking about the stories of the same class, the lower working class, which has nothing glamorous but unique. As we all know, paradise represents a bright and joyful image, so how come there are some shadows in paradise? This is the question occurred to me when I first read the title of the movie. Trying to understand the film and the theme, I approach to the understanding of the characters first.
        In the movie, there are two main characters and four other characters. I’d like to divide them into different groups according to the different criteria for the sake of better understanding of the characters.

                 Attitudes towards Life

1.Positive: Make a change
2.Negative: Stay in comfort zone

        According to the attitudes towards life, I categorize the characters into two groups: make a change and stay in comfort zone.
    What I’m most impressed by this movie is that the characters’ desire to make a change. Firstly, the coworker of Nikander, who had a dream to travel around the world with his wife, wanted to run a company by himself. He was fed up with the current job for twenty-five years and he was longing for change. He was so positive towards life, but he worked too hard and prepared a lot for his dream. He even died when he was working. This makes me think of those events in nowadays society, which are the premature deaths of the elites in society. As we all know, if we want to gain something, we have to pay the price sooner or later. However, those premature dead people are working too hard to stand. Although they are positive towards life and willing to make a change, they overwork to make up the lost. Their attitudes towards life should be appreciated, but their method of wealth accumulation should not be complimented. As Confucius has said, enough is as good as a feast. We should be satisfied when we have enough sources. This is probably a correct method of making a change.
        Secondly, the main character, Nikander, is also a member of the positive group. He was willing to be a foreman when his coworker suggested him to be and he learned English after work in order to improve himself. He kept on trying, kept on making a change even he was only a garbage collector, a blue-collar worker. Even though he hadn’t a decent job, he kept everything of his life in order: he went to work on time every day, cooked dinner for himself, and folded his clothes tidily. In my opinion, arranging one’s daily life in order itself is a kind of positive act. The others may have held him in contempt, but the most important thing is that he never looks down upon himself and he is always positive towards life.
        Last but not the least, the partner of Nikander, a jobless person who was arrested in the jail before, was positive as well. He was willing to work and wanted to make a change in his life. He began changing from getting a job, helping Nikander, visiting Nikander when he was crossed in love and taking care of Nikander when he was in the hospital. They were trying to make a change in their life and struggling in the working class.
        In this movie, the characters, though in the inferior status and lower working class, I think are optimistic towards life except Liona’s attitude was controversial.
        Liona went through a lot but she seldom took action to make a change in the previous half of the movie. When she was fired for no reason, she chose to steal the money box and avoid the reality. She requested Nikander to drive her out of the town. In my viewpoint, if she really wanted to make a change, she should use some practical and legal methods rather than this illegal and negative means. Because she must know the result that she would stand accused of theft by the police after she returned home. That is to say, she must know this act will not work and all these would be in vain at the start of her plan. So what’s the point doing this if she really wanted a change in life? She could have appealed to law or the Labour Union for getting a reasonable reply of her unemployment. But she didn’t. From this aspect, she seemed to be negative towards life because she just tried to avoid the cruel reality.
        However, taking her act at another thought, she was still trying even when she was sure to fail. She attempted to make a change and get hold of her own life, though the method she adopted didn’t work. Thus we may interpret this act as a positive attitude of her deep heart from this aspect. What’s more, she was still positive towards life when she chose to leave with Nikanda in the end. This was also an act that she tried to make a change in her life. Probably getting on the ship with Nikander was a signal of revolution.
        To sum up, Liona had both of the positive and negative attitudes towards life which made her attitude controversial. Above all is how I understand the characters from the perspectives of attitudes towards life.

                 Social Status

          1.Upper Class
          2.Lower Class
        
        This movie is mainly talking about the life in the lower working class. The major characters are just like the representative of the lower class in society. They don’t have decent job or well-paid salary, let alone the high-class network in society. They looked more serious and sober. Liona, was the most typical characters of the lower class. She seldom showed a smile on her face, probably because there was nothing worth smiling about in the life of lower class. We know the life of the lower class from her. She was fired the third time for no reason; she turned to steal for revenge because she was unemployed; she had to live in Nikander’s house for accommodation; she had to find a job with the help of men; she had to eat hamburger besides the road rather than have dinner in the restaurant. Those people in lower class had something in common with her.: they haven’t got steady jobs and networks to help.
        Like Liona, Nikander was also a typical character in the lower class. He was looked down upon by the waiter in the restaurant and the manager of the shop because his dress and job. Through their life, we know the life of lower class is full of bitterness and prejudice. This environment is like the shadows existing in society. Anything glamorous doesn’t belong to them. We’re usually attracted by the paradise, the halo of upper class; however, after watching the film, I know that we can’t overlook the shadows, the dark side of society.
        Unlike the lower class, the people in the upper class enjoyed the well-paid salary, stable job and the better quality of service. The manager of the clothes shop could be categorized into this group. He could offer Liona a job; he could have dinner in the restaurant and never bother whether there was a seat or not. The people in upper class enjoy the privileges and live a more comfortable life than those in lower class.
        This is how I understand the characters from the perspective of different social status.

               Attitudes towards Love

         1.Confused
         2.Persistent

        The love story served as a main thread through the whole movie. To understand their attitudes towards love is of great importance. Liona was confused about love when she was in the crossway to make a decision between the manager and Nikander. These two alternatives represented bread and love, the permanent topic in our reality. She was so confused that she didn’t know which to choose. Bread or love, that is a question. Liona first was a realistic lady when she chose the manager, the bread in life. Because she knew she could not live without a job and money. I quite agreed with her first decision. After all, life is cruel. However, she finally looked into her deep heart and found out the real answer, the true love in human. She chose to believe in the power of love so she took an act to leave with Nikander in the end. This is her final decision and attitude towards love.
        Concerning love, Nikander was everything that Liona wasn’t. He was persistent, faithful and loyal to love. He let Liona live in his house for shelter; he gave the money back to the manager of supermarket for Liona; he never gave up Liona even when she had another man. His persistence towards love won Liona’s heart eventually.
        This is how I understand the characters from the perspective of attitudes towards love.


        After analyzing the characters in the movie, I have a better understanding of the theme. The ship also which is going off at the end of the movie makes me think a lot. I have to say the director of the film is a genius because he leaves enough space for the audience to ponder and reflect after watching it, especially the ending part, a marvelous job.
        When the ship was sailing out in the end, the audience may think where were they going? How was the future life of them? These are the questions I think about. I believe many other people may think alike.
        On the surface, the ship with Liona and Nikander on it symbolizes the happy ending of the couple. They finally got together and went for the honeymoon. They took an act and made a change in their life regardless of reality. They may probably have a romantic cruise or a fantastic journey. However, is life really so simple? Does their destination really exist? This ending makes me think of the happy endings of the fairy tales. As we all know, the endings of the fairy tales are like this: from now on, the prince and princess live a happy life forever. Nothing more is described about their future marriage life. But we can guess their life full of pressure and trivial daily troubles. They are the noble so they must be under the pressure of royalty and public. What’s more, they have to deal with those daily necessities let which they seldom concern about before marriage. They have to face to the reality after all. Can they live a happy life forever? That ending just can cheat those children who have never taste the bitterness of the life.
        Similarly, Nikander and Liona are like the prince and princess, who have to face to the reality and have to struggle in the shadows of society after their cruise. Life is never so simple that we can find a place without troubles and tensions. The ship at the end of the movie is like our life, which is dynamic and full of uncertainties. Nikander and Liona wish to be happy and out of pressure from work and society. The ship which was sailing away, like floating up to the paradise, can symbolize the hope of a new life, the paradise in their heart. In their minds, the ship will lead them to the paradise, where they can be away from the shadows in society; nevertheless, that place doesn’t exist. Wherever we are, whoever we are, we still have to tackle those troubles in life. The lyrics of the song at the end of the film “life itself is painful” also tell us the essence of life lies more in its bitterness than in sweetness.
        We don’t know what’s going on in their life, but their future is open to our predictions.
        Maybe they will live an undramatic life in the future and everything will like the same as usual when they are back. Liona may be busy with finding a new job; meanwhile, Nikander may do the routine garbage-man work everyday. Although their life is full of dull work and uneasy things, they might still feel very happy and satisfied in deep heart. As we all know, the definition of happiness varies from person to person. Happiness to them may mean the satisfying feeling in their heart rather than wealth and reputation.
        Who knows maybe they will live a dramatic life? Nikander and Liona may find some commercial opportunities during their journey and they might run their own business in the future. Very soon, they may gain a huge amount of money and climb up to the upper class.
        What’s more, maybe they live in a much more miserable life than before. Liona may probably lose the job and have to struggle in job searching when they are back. Society is competitive and tough. If there is no vacancy for her, she won’t probably earn a living. The same case may also happen to Nikander. He is only a blue collar in the lower class and he might be fired someday for no reason like Liona. Then their life will be a mess and miserable.
        The ship gives me a lot of imaginations and these are the three possibilities I can think of about their future.
        Back to the ship, it will lead us to far shore, but we will never know where is our destination and when will we be there. Our life experience is like the ship, sailing in the endless ocean, fighting with the storms, waiting to get to another shore without clear destination. Like Lin Yutang said before, life is like a dream. Everything is changing on the way, but the most important thing is that Nikander and Liona have found out the things that worth cherishing in their life, which is love.
        In a nutshell, the ship symbolizes our life, which is full of ups and downs, and filled with uncertainties. What’s more, the happy ending of the main characters is just a dream and the place where they leave for is the paradise in their hearts, which doesn’t exist.

 6 ) 天堂的孤影,浮现着冷冷的幽默与温情

好普通的电影,明明很无聊,很单调,但就是忍不住想看下去,真实的让人共情。我想任何好的作品寻求的不是画面中虚置的人为的解读过程,而是心领神会,而是唤起那些自我阅历产生的共鸣。 小人物的爱情故事,困苦中的浪漫,冷清中的唯美,没有轰轰烈烈,也没有撕心裂肺,更没有要死要活,仅仅是两个生活不如意的人相互取暖而已,纵使悲欢离合,却又平淡纯粹,温暖动人。

 短评

顺着作品年表开始看阿基,有点理解为什么仁科喜欢这个导演,确实很戳文艺青年的点。

5分钟前
  • 子夜吴歌
  • 还行

太喜欢了,是那种拿出手机备忘录记笔记的喜欢,对无产阶级的孤独感刻画没有流于俗套,而是非常地冷峻和轻巧。

7分钟前
  • 皮格马利翁
  • 力荐

老鼠与人类的基因差别只有15%左右,沙发土豆肥皂剧和考利马斯基的区别也差不多,不过前者乐于展示张牙舞爪或面目扭曲,而后者则把那些浅薄完全摒弃,冷的彻骨也热的灼心。

9分钟前
  • 托尼·王大拿
  • 推荐

不知是否有人会像我一样认为此片和北野武那部奇妙地互文。芬兰初夏,阴郁的海...

11分钟前
  • 鸡塔
  • 力荐

“无产阶级三部曲”第一部。听了张大磊的推荐来看,还真是相当动人。考里斯马基的体系太强大,以至于他的这种高度限制的表演方式(绝对可以顺到德莱叶-小津-布列松的体系里,反而不是塔蒂-罗伊安德森-苏雷曼这个体系……)与其实有些离奇的情节在体系里非常自洽。对孤独感的刻画真是入木三分(别忘了这片其实是个风格独特的情节剧啊,差点还走向黑色电影)。开头垃圾车的段落真是漂亮(一瞬间穿到肯洛奇-达内那儿)。剪辑风格干脆利落,居然都不留气口……

12分钟前
  • 胤祥
  • 推荐

开场的赫尔辛基收垃圾佬太酷了,“没有极限”,“可信赖的垃圾处理,始于 1986 ”。不过这部电影和贾木许那部片子的名字,未免太像了吧。而且我明明没看过——怎么一直念叨要坐一趟去塔林的游轮呢?

17分钟前
  • 木卫二
  • 推荐

爱考利斯马基就是爱一种肥皂剧 演员、台词、调调 一万年不变你也不烦

20分钟前
  • 皮革业
  • 推荐

“我什么都不需要。我是尼卡德,以前是屠夫,现在收垃圾,牙齿和胃都不好,肝也不行了。”收垃圾的男人每次见到心爱的女人都要带一束花,要有多爱,才能回答的这么卑微。不许诺未来,全然交代过去和现在,情话无聊又动人。

22分钟前
  • 疼疼(电动版
  • 推荐

友情 爱情

26分钟前
  • 还行

把时间打乱,《火柴厂女工》重生后变得冷酷无情厌倦男人,碰上了另一个时空男版的自己垃圾车男工,两人结婚后去了《勒阿弗尔》,过了平淡幸福的几十年,帮助了一个黑人小男孩,happy ending。这是阿基的电影宇宙。

30分钟前
  • 判官
  • 推荐

我居然好喜欢阿基早年的这部!爱是人最后的尊严。男人自语道:“我从很多个角度考虑过爱情,比如伤害和不完美也是一种乐趣,而身处其中的人却都很严肃。”结尾的歌,如同咏叹调,情感直白:“抬起头,我的爱人。你看那灯火通明的公园,我的心在思念你,在这里孤单地跳动。请快些吧,快回家吧。人生啊,如此短暂。快回来,你给了我一切。但爱人啊,尽管我这样请求。我知道这都是徒劳的,尽管我思念你,日日夜夜。不要迎向我,因为你也知道,生活只会带给我们痛苦。别匆匆回到我身边,这里的阴影会把你淹没。别匆忙,看这美丽的世界。在这里,看不见泪水。”

35分钟前
  • 夜第七章
  • 力荐

匆匆看了后半段,结尾觉得很浪漫

38分钟前
  • Sandrelli
  • 力荐

和《升空号》其实差不多,甚至是最后也同样是以坐船离开圆满收尾。依然是无产阶级的爱情故事,但可能是三部曲中我最不喜欢的一部了。3.5

43分钟前
  • 方枪枪
  • 还行

“我是来带你走的,蜜月旅行总不能一个人去”,真他妈的浪漫。他们未来或许仍逃离不了痛苦,但上船的时刻他们无比幸福

46分钟前
  • SundanceKid🌈
  • 推荐

考里斯马基总是很有趣:)

48分钟前
  • 闻人林
  • 还行

哎呀,坏坏的可耐的阿基大叔阿基大婶啊……

51分钟前
  • iceman
  • 力荐

曾经不想让别人知道自己的男友是个收垃圾的工人,如今,与男友一同坐在垃圾车里,脸上却闪烁着充满幸福的笑容。爱情是无产阶级仅剩的骄傲。【联合国教科文组织】 芬兰影史十五佳NO.14

54分钟前
  • 有心打扰
  • 还行

8/10。清垃圾箱时捡到一张唱片,卑微的苦中作乐也能点燃希望;喜欢男女主角初次相遇那段,她的大红衣服在冰冷的环境色调里格外热烈,主动要求帮他扎伤口,两人的脸胀得偏红;餐厅门卫、服装店老板借口阻拦进入,饱受打击的底层仍不把悲伤挂表情上接受怜悯,顶多独自醉一场,缄默是他们争取尊严的方式。

56分钟前
  • 火娃
  • 推荐

垃圾处理从86年开始,问我想要什么没意义,你带给我的只有伤和痛,佛罗里达只有芬兰人和唐老鸭,你能养活我俩么小土豆。。阿基典型的风格

58分钟前
  • 琧婯
  • 推荐

最后依然是上了一艘大船,那红色的镰刀锤子,航向苏维埃的塔林。年轻时代的卡蒂·奥廷宁,稍微折腾一下也没那么丑了。

1小时前
  • 巴伐利亞酒神
  • 推荐